There are no jump scares here – just the slow, unbearable realization that something is very wrong, and no one is brave enough to say it out loud. Morten Burian and Sidsel Siem Koch deliver ...

And because not everyone is scared by the same things—some viewers can’t stand jump scares, while others are haunted by more psychological terrors or can’t stomach arterial spurts—it ...

behind the protagonist, in the same shot, without our hero knowing he’s in danger. This doesn’t have to be executed as a jump scare; it can be a subtle reveal, a slow dolly move, just enough to raise ...