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Jul 29, 2024 · All contents copyright © SOS Publications Group and/or its licensors, 1985-2024. All rights reserved. The contents of this article are subject to worldwide copyright ...

The Nord C2 takes the Hammond, Farfisa and Vox emulations of its C1 predecessor and plunges headlong into the Baroque with a very impressive pipe organ.

Figure 1: The D-A converter's low-pass filter, set at half the sample rate, removes the upper and lower images while keeping the wanted audio. With reference to A-D/D-A converters, what exactly is an 'alias'? How and when do they occur and what causes it? SOS Forum Post Technical Editor Hugh Robjohns replies: An alias occurs when a signal above half the sample rate is allowed …

The new third-generation Focusrite Scarlett range. The latest generation of Focusrite's extensive Scarlett range offers something for every budget. Seek them here or seek them there, you don't have to look very far to find Focusrite's Scarlett interfaces. From the compact and portable Scarlett Solo to the versatile Scarlett 18i20, this is a range that caters to most home-studio …

SampleOne XT is that rarest of things: a virtual sampler that can actually sample! The unassuming SampleOne XT is actually one of Studio One's secret weapons. SampleOne XT is probably not your go-to instrument in Studio One. It has no presets; it sits there, empty and uninspiring, so we tend to lean towards the rich sampled landscape of Presence. But to ignore …

The Sequential Prophet X combines analogue and sample‑based synthesis in one enormously ambitious and flexible instrument. A keyboard synthesizer that marries digital oscillators and sample‑based sound generation to an otherwise analogue signal path controlled by digital contours and modulators isn’t a new departure for Sequential. Launched in 1985, the Prophet …

We explain why aliasing in plug‑ins isn’t always a problem — and why oversampling isn’t always the solution.

Since shaping and manipulating sound is a big part of his process, he lists a wide range of plug‑ins that are frequently used in his productions, ranging from ubiquitous third‑party ones like FabFilter Pro‑Q 3 and Pro‑C 2, which he uses for EQ’ing and compressing, to humble but effective stock tools like Ableton’s built‑in Auto ...