Apr 16, 2025 · Albers’s Homage to the Square is also one of the most recognizable and influential series of the twentieth century produced from 1950 to his passing in 1976. Why did Albers create these paintings? Though deceptively simple, the series …

Josef Albers, Homage to the Square. Albers used his paintings in order to explore the relationship of colors. He placed the colors of the squares right next to each other in order to show how juxtaposition and contrast affected the appearance of color.

Josef Albers was an American-German artist best known for his iconic color square paintings, also know as his Homage to the Square series. View Josef Albers’s 4,940 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for …

Learn about this artwork by Josef Albers in the Guggenheim's Collection Online.

Study for Homage to the Square: In Wide Light, 1956. Josef & Anni Albers Foundation. Your email address Submit. Follow / Fb Ig Tw. The Alberses. Works of Art. Foundation. Contact. Bookstore. Rights ... (AI) system, without written permission from The Josef and Anni Albers Foundation. ...

Take a moment to really look deeply at this example of Josef Albers’ extensive series, Homage to the Square. The composition of this painting is simple enough – four progressively smaller squares within each other, each in a different color, and all aligned closer to the bottom of the composition than to the top.

Homage to the Square is a collection of explorations in color and spatial relationships in which Albers limited himself to square formats, solid colors and precise geometry, yet was able to achieve a seemingly endless range of visual effects.

Title: Homage to the Square: With Rays. Artist: Josef Albers (American (born Germany), Bottrop 1888–1976 New Haven, Connecticut) Date: 1959. Medium: Oil on Masonite. Dimensions: 48 × 48 in. (121.9 × 121.9 cm) Classification: Paintings. Credit Line: Arthur Hoppock Hearn Fund, 1959. Object Number: 59.160

Josef Albers began his Homage to the Square series in the summer of 1949, and made more than a thousand related paintings (ranging in size from 12- to 48-inch squares) over the next twenty-five years. Albers developed four related layouts, three of them composed of three squares each, and the fourth composed of four squares.

“Homage to the Square: Apparition,” a seminal work by Josef Albers completed in 1959, exemplifies the artist’s influential exploration of color interactions and spatial perception. This piece is situated within the Hard Edge Painting movement, a subset of abstract art distinguished by its employment of flat, distinct areas of color.